Misumarunotama: Sacred Geometry and the Flower of Life

Sacred geometry and the Flower of Life as a visual representation of the Theory of Everything
Guided by creation and movement, the little-known laws of energy of multi-dimensional structures

The premise is that “sacred geometry predates language and is impossible to express in words.”

Suffice it to say that this sacred geometry (the Flower of Life) is the Theory of Everything. From the universe and the earth to our bodies and our souls, everything that is visible and invisible is made from the same structure. The “outsides” (manifestations) are all different, but the “insides” (structures and rules), are all the same and have the same origin. Until now, there has been a tendency to direct our consciousness toward the outside, and we have forgotten how the inside works. But everything begins from the center. The outsides originally emerged from what is inside, but people came to believe that what is visible on the outside is everything, and it became as if the laws of the invisible energy on the inside did not exist.

The Flower of Life remains as a symbol found all over the world. To investigate the structure of its inside, we can gain hints from the five regular polyhedrons called Platonic solids: the regular tetrahedron (fire), the regular octahedron (wind), the regular hexahedron (earth), the regular icosahedron (water), and the regular dodecahedron (electricity). Plato said that the regular polyhedrons are the fundamental force that supports everything in the universe, but these solids have generally been considered to be discrete. However, in reality, all of these multi-dimensional shapes come together into one to form the Flower of Life.

Linking together cotton swabs to create multi-dimensional objects of sacred geometry installs the structure inside and the law of energy. As we continue to create the object, we begin to resonate with the structure that lies within ourselves, and our inner center begins to turn. Then, interesting things start appearing one after another in the outside world... The transformation from within makes us become the structure of the Flower of Life itself and returns us to our original state.

This is a story of resurrection for each and every one of us. Anyone can try this with just some cotton swabs and glue; by connecting the cotton swabs to create a multi-dimensional object of sacred geometry we can shape the invisible laws of energy and make the invisible visible. As this new era begins, we will face this ultimate digital world with the ultimate analog.

At Shinto shrines, komainu (guardian dogs) can be found with a paw atop a Flower of Life, which has been known in Japan since ancient times as temari. Furthermore, in the form of the asanoha hemp-leaf pattern, there is a device made to wake us up. It is truly a device of the gods. It means that there are devices all over Japan enabling the multi-dimensional shapes of sacred geometry to come out in the present era.

Tsuru to kame ga suberutoki
Kagome hirakeshi
Yoakedori Naku
― Miyuki Hasekura

Ara, Nigi, Sachi, Kushi,
Mitama suberunoga Naohi no mitama. Misumarunotama zo.
― Hitsuki Shinji, Volume 24, Kogane no maki

The Flower of Life is Misumarunotama.

We are in era when things that have been hidden are coming to light again. Things like the multi-dimensional world of sacred geometry. It is uber- mathematical, uber-scientific, and therefore uber-spiritual. It is sound, color, and vibration itself.

The theme of this solo exhibition is “beyond the door called myself.”
The world we will discover. The guideposts. Toward the deep inside myself. The venue will display multi-dimensional works that embody the Theory of Everything. There will be a number of pieces that show not only their outsides (manifestations) but also their insides (structures and rules).
It is the source of everything. It is something that cannot be expressed in words, so I want you to come to see and feel it yourself.
And at the venue you may encounter a talk or a experiential zone where you can create your own multi-dimensional object of sacred geometry.

tocchi: From an early age, tocchi realized that everything is a farce. He grew up without falling into the traps of a controlled society, and in his teens he began exploring the question of what is truth. When he was 26 years old, he visited a nearby shrine after his family home burned down. There, at the moment that he saw the komainu (guardian dog) with its paw on a temari (ball), the pieces of information that he had “downloaded” up to that point in his life all came together in a flash. Prompted by the Great East Japan Earthquake of March 11, 2011, he manifested multi-dimensional structure of sacred geometry in physical form, proving the Theory of Everything through its structure. This is something that humanity had failed to recognize for thousands of years, and it is the story of a dimension where spirituality and science are one. As it is the one and only truth, it can be understood from every angle, including physics and quantum mechanics. Spending his life at play, he gave shape to something that no one else had been able to manifest. Carrying out fascinating experiments day after day, through his own way of life he embodies the question “What does it mean to live the sacred geometry, the Flower of Life?”